Poet and writer, S.
Vaidheeswaran, at an interview with The Hindu – MetroPlus, in Chennai on
October 11, 2009. Photo: S. S. Kumar
‘It was a city of ponds and lakes’
GOWRI
RAMNARAYAN
‘Kites
danced in the skies; and the Marina offered many attractions. S.Vaidheeswaran
on what Madras was like
Do you know that before Murphy radio
invaded homes, people went to the beach to hear AIR’s evening news bulletins on
loudspeakers? The Marina had other attractions too. The Corporation Band gave
Sunday recitals. Woodlands’ mobile canteen set up tables to serve piping hot
vadas and dosas. Once I recognised Namakkal Kavignar enjoying that tiphan and
kaapi on the beach. He became the State’s poet laureate, but was a better
painter!
I grew up in my thespian uncle
S.V.Sahasranamam’s home. This was in Royappettah, where, for the first time, I
encountered the Anglo-Indian community, scornful of “Indians”, uppishly
following the white man’s lifestyle. How strange to see men in black suits
strolling out on Sunday evenings, holding hands with women in gowns!
Living in uncle’s house was to be
drowned in drama. I saw the productions of Nawab Rajamanickam Pillai and the
NSK Company (founded by N.S.Krishnan) in Walltax Theatre. When Krishnan faced
murder charges in prison, my uncle, an actor in the troupe, managed the company
until his release. The company hired living quarters for the actors in
Georgetown. It was an exciting place — somebody played the harmonium, another
recited lines, some cracked jokes, played cards. M.G.Ramachandran was a
frequent visitor. Naturally, I began to act, making my debut in “Mohiniteevu”
as a spear holder!
I also got familiar with Blacktown,
the other side of Georgetown, a settlement of craftsmen and labourers, and the
Flower Bazaar, famous for Chinese dentists.
My father had unshakeable faith in
their tooth pulling skills.
Old Madras was dotted with lakes,
tangled in trees, scrambling out of shrubs and swamps. Walking from High Court
to Island Grounds was to squeeze through the undergrowth onto a lonely road.
There were very few cars. Bullock carts ambled by. Advocates in black coats
rode on kudirai vandis. Some of the city’s main roads saw trams. Though slow
and noisy, they were cheaper than buses.
Streets rang with the bilingual blend
of the city’s large Telugu populace ( Emi, repu paarkkalama?) I knew little
about “Madras manade!” slogans or demands for a separate Andhra State. But, one
day, I was swept along the currents of history from the Sanskrit College area
towards a house near Vidya Mandir School, where Potti Sriramulu was fasting
unto death.
Getting into P.S.High School was not
easy. The principal thought little of boys from “cinema-drama families”.
Hopefully, he never discovered me playing a student leader in T.Janakiraman’s
“Vadyar Vadivelu”, a Seva Stage production, where I led the protest against the
dismissal of a noble teacher by the corrupt school chief! In every show,
thunderous ovation greeted the line “We’re on strike!” A startling concept
then. Strikes and torching were little known.
The old city grew horizontally, not
vertically. Kites, green, yellow and red, danced across the blue sky,
untrammelled by skyscrapers, cables and television antennae. Hard to believe
that Madras was once a city of ponds and streams. I went to Mahabalipuram on the
Buckingham canal. Boats loaded with coconut, straw bales and cattle feed were
anchored at Thanniturai. Railway tracks in West Mambalam ran beside a lake,
later filled and turned into the postal colony. I remember how the van refused
to drop playwright Komal Swaminathan home in this colony at night, for fear of
getting stuck in the slush.
As Flight Manager in the airport in
the then godforsaken Meenambakkam, I saw passengers sent off by family and
friends right at the gangway as they boarded the aircraft, garlanding those
going abroad, saluted by the policeman stationed there. Some passengers carried
vengala koojas (bronze water cans) and tiphan carriers too!
Theatre flourished until tinsel town
sucked in the stars. The Kodambakkam railway crossing drew daily stargazers who
shouted “Savitri paaruda!” or “ Adho Vadyaar!” at the stars waiting in cars.
In those days, wall posters were the
norm for advertising films, and hoardings few. Imagine my shock in encountering
a huge hoarding for “Naan Avanillai” outside Gaiety theatre! Passing over hero
Muthuraman, it showed a dancing Manmatha (me!), descending in a rain of flowers
into Devika’s dream. The film? A complete flop!
S.VAIDHEESWARAN Born in 1935, S.
Vaidheeswaran was a stage actor from childhood. A student of museology,
M.S.University, Baroda ,
and retiring as Flight Manager, Indian Airlines, he is best known for his
contributions to modern Tamil poetry. His verses have a lucid style and
striking imagery of their own, often etching cityscapes, as in “Udaya Nizhal”
(Shadow of Dawn), “Nagarachuvargal” (City Walls) and “Viral Meettiya
Mazhai”(translated as “Fragrance of Rain”, for Writers Workshop). “Rapids of a
Great River”, the Penguin anthology of Tamil poetry, includes his poems. “Kaal
Manithan”(Quarter Man) is a collection of his short stories. A self-taught
artist with a penchant for landscapes, Vaidheeswaran has exhibited his line
drawings and paintings. As a lyricist, he has also composed verses for initial
exercises in Carnatic music, audio-recorded by the research institution
Brihaddhvani.
I REMEMBER
In those days, I was an indefatigable
walker. One day, a car stopped beside me on the Santhome road. "Thambi,
get in," said a familiar voice, belonging to an actor who worked in my
uncle’s theatre at times. That is how I found myself at the final preview of
"Parasakti" in AVM studios. As I sat sipping coffee with the man, how
could I know that never again would he be able to walk on the street without
being mobbed. "Parasakti" was released the very next day. And Sivaji
Ganesan became a star overnight.
The Kodambakkam railway crossing drew
daily stargazers who shouted “Savitri paaruda!” or “ Adho Vadyaar!” at the
stars waiting in cars.
No comments:
Post a Comment