AN ARTICLE ON POET VIADHEESWARAN IN ENGLISH
Online edition of
Monday, July 10, 2000
Expressions with pen and brush
LAKSHMI VENKATRAMAN
"EVEN AS early as 1961,
Vaidheeswaran had employed an original idiom in his poetry. On the surface, his
language seems formal and literary. But as one progresses from line to line,
the reader will realise that the poet is unfolding a new world in a totally new
pattern of words", writes award winning author Ashokamitran in his
foreword to the book "The fragrance of Rain", a collection of poems
by Vaidheeswaran, published by Writers Workshop.
This is an English translation of his
original work in Tamil. Vaidheeswaran is endowed with multiple talents; he is a
poet, a writer of stories, a lyricist, actor and an artist. His stories and
poems have been translated into English, Hindi, Malayalam and Telugu. Three
publications containing collections of his poems - 'Udaya Nizhal',
'Nagarcchuvargal, and 'Viral Meetiya Mazhai' - and a collection of short
stories 'Kaal Mulaitha Manam' have so far come out. Ilakkiya Chinthanai has
published his book 'Devanin Ezhuthulagam' on the writings of Tamil novelist
Devan. His first poem 'Kinatril vizhuntha Nilavu' was published in 1961 as
modern poetry. This was considered a literary milestone. In fact, it is still
appreciated and quoted. Vaidheeswaran admits that none of his writings are
deliberate efforts of wishing to be part of any movement, but rather an attempt
at achieving poetic truth with spontaneous language.
Vaidheesawaran was born in Coimbatore district and
he spent his childhood in Chinna Tirupathi; as a young boy he was fascinated by
the Servarayan hills, which surrounded the village. Much later when the family
moved to Chennai, the cityscape and the ocean offered a different kind of
pleasure.
Though he took Sanskrit in school,
from the seventh class, he had the pleasant experience of listening to Kamba
Ramayanam and Silappadika-ram; he used to discuss poetry with a friend who was
studying Tamil. At the age of 12, he, along with his friends ran a handwritten
magazine called 'Kadiravan', in which most of the stories and poems were
authored by Vaidheeswaran. After coming to Chennai and joining college, when he
studied Valmiki and Kalidasa in Sanskrit, he was able to understand the depth
and beauty of the language. His college life also gave him a great opportunity
to read a number of books. It was around this time that he stepped into the
world of theatre. S. V. Sahasranamam, well-known theatre and cinema actor, was
his maternal uncle. Between 1959 and 1962, he was with Sahasranamam's
'Sevastage'.
Then Baroda beckoned him. Vaidheeswaran went to M.S. University
to the Faculty of Fine Arts to study Museology. The following few years in Madras were a confused
period, when he was dallying in theatre, literature and arts. In recent times
his forte as a lyricist has come to the fore. Some of his lyrics have been set
to tune and sung in Carnatic concerts at the Tukkada segment. More importantly
he has written the lyrics, mostly based on Nature and environment, for Sarali
varisai, Janta Varisai and Alankaram, which are the starting lessons of
Carnatic music, making them more appealing and easy to learn for children,
instead of simply memorising and singing the Swara patterns.
He began painting with the
encouragement from Kalasag-aram Rajagopal and joined the Madras Art Club, being
run at the School of Arts & Crafts.
He likes line drawing very much and
has even illustrated some of his own poems and stories in the publications.
After a break of several years he has seriously started painting since 1997. He
paints landscapes, still-life and figurative compositions in oil and acrylics;
but his favourite subject is landscapes, as he loves to see nature in his
works. But these are not exactly realistic representations, 'but are somewhat
stylised interpretations of Nature. Says he "for me both painting and
poetry are equally important expressions of myself; the two branches of
creativity help me find my identity more effectively".
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